Sertac Tasdelen places the two prime states of the matter on the main artery; the form and material, and prefers to define itself as an intellectual philosophy rather than a fashion brand. It contains a theoretical and utopian universe based on timelessness, indeterminacy and duality, and thinks that design is too competent to fit into a single space or a single time period.
In this collection, Sertac Tasdelen describes the insignificance of a particle on the scale of the universe; but on the other hand, it seeks answers to today's world and modern life, as if referring to the universe itself. The collection prefers to be born at just the right time, beyond a season or a gender.
While the white color gives a lightness that balances the weight of the issues that make up the existence of the collection, black represents the opposite, colorlessness and darkness.
As a result, these pieces turn into objects that remind us of experiences such as existence-nonexistence, life-death, that we have lived or will live.
He refers to a genderless attitude that contradicts modern definitions of identity and renders the body unimportant, the importance of utterances and intellectual stance.
In this collection, Sertac Tasdelen describes the insignificance of a particle on the scale of the universe; but on the other hand, it seeks answers to today's world and modern life, as if referring to the universe itself. The collection prefers to be born at just the right time, beyond a season or a gender.
While the white color gives a lightness that balances the weight of the issues that make up the existence of the collection, black represents the opposite, colorlessness and darkness.
As a result, these pieces turn into objects that remind us of experiences such as existence-nonexistence, life-death, that we have lived or will live.
He refers to a genderless attitude that contradicts modern definitions of identity and renders the body unimportant, the importance of utterances and intellectual stance.
